![]() ![]() Whether you want to command many armies or just get in on the action this is a great game to do both in.ģ of 3 people found the following review helpful. I thing because of this and the repetitive nature of each battle it can be hard to see the game through to the end. It can be hard to follow and isn't even worth following really. Honestly though the story really just seems like an excuse for big battle. Plus it's entertain to watch the duels that happen during this battle. I personally love getting involved with the battle after two opposing army clash by playing as the commanding officer. The strategic elements aren't quite like the original but still fun no the less. All of the officer in the game are based off real people of the time with a magical and fictitious spin to make things more interesting. With that said Kessen II Is strategic sword, spells, & bows, military game set in ancient times of the Chinese dynasties. ![]() I would even suggest getting all 3 games (For reasonable or cheap prices) if you like one or the other because the're all so different just keep in mind that they are all very different. The game itself is great and a lot of fun! Kessen II is certainly a fair bit different from the original but that is not all bad whether you've played the first one or not. 0 of 0 people found the following review helpful.ħ/10 For anyone looking for sword & shield army clashing action.Ī complete package with expected shipping that was all good! ![]()
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![]() ![]() They make a worse blunder in the scene where Mrs. That last one is especially offensive to the ear of a native English speaker. Here’s what P & V have: Second Marriage, Second Children Here are a few chapter headings from the Oxford World Classics translation by Ignat Avsey, the one I ended up going with: ![]() ![]() When I decided to tackle The Brothers Karamazov last month, I chose my translation the obvious way: I pulled up Amazon previews for half a dozen versions and compared the opening pages and tables of contents to see which one grabbed me. Unfortunately, the result is not something you would want to spend 974 pages with. No one has ever offered a truer approximation of Dostoevsky’s prose! P & V are like Gillette razors-you just can’t get any closer! The promotional material practically writes itself. I may not know Russian-but neither does Richard Pevear.) The result, as you might imagine, is a fairly close replication of the original. (He hasn’t mastered the language himself, not even at a conversational level, which is why I feel comfortable criticizing their work so harshly. A husband-and-wife team, Larissa makes a literal translation as close to word-for-word as possible and then Richard tidies up her copy. What I don’t know is how. Admittedly, their method is a publicist’s dream come true. There’s a lot of money at stake, for them and for their publisher. Fourteen thousand copies a year, practically indefinitely, is why. I have no idea how Richard Pevear and Larissa Volokhonsky’s translation of The Brothers Karamazov came to be regarded as definitive. ![]() ![]() ![]() ![]() In February, Tessa gets 2.07mm of rain and approximately 0 rainy days in the month. Temperature hovers around 38°c and at night it feels like 20°c. In January, Tessa gets 0.00mm of rain and approximately 0 rainy days in the month. When: Sunday, September 11 th 2022, 17.00-20.Temperature hovers around 35°c and at night it feels like 18°c. – Fenya Sourla, co-founder & COO at DataphoriaĢ0.00 – 20.30 Networking (and drinks!) for a more sustainable future – Rania Filippakopoulou, Marketing & Trade Marketing Director, Henkel – Eleni Andreadis, Head of Sustainability, Sani Resort & Ikos Resorts Spyridoula Maltezou, Environmental Auditor In conversation with Stella Kasdagli, co-founder Women On Topġ9.15-20.00 Sustainable inclusion: the role of women in ESG – Effie Lazaridou, Chief Executive Officer, New Agriculture New Generation – Margarita Maniati, Special Advisor to The President & CEO at PPC S.A. – Alexandra Sdoukou, Secretary General for Energy & Mineral Resources at Ministry for the – Kostas Hatzidakis, Minister for Labor and Social Affairs Consulate General in Thessalonikiġ8.30 – 19.15 The power to change: energy poverty, green jobs and women’s future in sustainability In conversation with Consul General Elizabeth K. – Aubrey Paris, Ph.D., State Department Advisor on Gender, and Climate In conversation with Pinelopi Theodorakakou, co-founder Women On Topġ8.00 – 18.30 Fireside chat | Climate and feminist diplomacy: what does foreign policy have to do with sustainability and change? – Maria Sitzoglou, Urban Designer and Participatory Planning Expert – Zefi Dimadama, Senior Research Fellow of Department of International, European & Area – Jessie Catherine Thomson, Head of Delegation, International Federation of Red Cross and – Βruce Βekkar, MD- Women’s Health physician Fellow, Climate for Health, ecoAmerica Įditorial Board, Journal of Climate Change and Health – Kalypso Goula, General Secretary for Demography, Family Policy & Gender Equalityġ7.15 – 18.00 Endangered gender: how natural disasters and extreme weather conditions are affecting women everywhere Inclusivity Lounge 2022 | Toward a sustainable & gender responsive economy Selected local and international speakers from the fields of politics, research, and business will analyze topics such as the impact of the climate crisis on women in Greece and the Mediterranean, the role of women in building a sustainability strategy, and how gender should be considered in discussions of energy transition and sustainability initiatives around the world. The aim of the Lounge is to place equality, sustainability, and inclusive development at the heart of the Thessaloniki International Fair, one of Greece’s most important events. ![]() The Inclusivity Lounge is a meeting point for discussions, the sharing of international best-practices, and networking around the broader topic of gender equality and the creation of a sustainable and inclusive economy. The program is under the auspices of the General Secretariat of Demographic and Family Policy and Gender Equality. Embassy in Athens, in partnership with Women on Top, is hosting the 4 th Inclusivity Lounge, within the framework of the 86 th Thessaloniki International Fair and HELEXPO Forum. Citizens: Official Exchange Rate Increase and Adult Passport Renewal Payment OptionsĪthens, September 6, 2022: On Sunday, September 11 th, the U.S. Health Alert Worldwide – Monkeypox in Multiple Countries.Public Transportation Strike Alert – U.Juneteenth National Holiday, June 20, 2022.Special Presidential Envoy for Climate John Kerry’s Statement at the Temple of Poseidon, Sounion, Greece.Inclusivity Lounge: A Gender Equality and Sustainable Economy Hub at Thessaloniki International Fair.Deputy Chief of Mission Burger’s Remarks at Trade Mission to Skopje with AmCham.citizens who have tested positive for COVID-19 Deputy Chief of Mission Burger’s Remarks at Reception in Honor of Young Presidents Organization, Southern California.Secretary Pompeo’s Meeting with Greek Foreign Minister Nikos Kotzias.OUTLAW REGIME: A Chronicle of Iran’s Destructive Activities.Ambassador Pyatt’s Farewell Interview with Fanis Papathanasiou, Anchor/Senior Diplomatic Editor ERT, Greek Public TV.Ambassador Tsunis’s Remarks at 26th Annual Economist Government Roundtable.Ambassador Tsunis’s Remarks at “The Economist Thessaloniki Metropolitan Summit”.AMB Tsunis’s Remarks at HAI F-16 Viper Delivery Ceremony.Ambassador Tsunis’s Remarks at Microsoft Hellas 30th Anniversary Event. ![]() ![]() ![]() This way you can study the entire show from multiple angles, sometimes literally. The three-hour performance is actually a one-hour loop performed three times. There are over 100 rooms where you can follow the action and discover hidden secrets. The show takes place in the fictional “McKittrick Hotel,” which has many different levels to explore. Unlike typical theatre, where you sit in one seat for the entire show and watch the plot unfold in front of you, ‘Sleep No More’ acts more like a choose your own adventure. The show contains almost no dialogue but is filled with interpretive dancing to convey the scenes or stories. It is loosely based on William Shakespeare‘s Macbeth but set in a 1930’s film noir aesthetic. ‘Sleep No More’ is an interactive and immersive stage production. This is for those who want a more in-depth review of my experience. This post is spoiler-free but I do have an additional guide with some spoilers. So if you’re curious and want a few clues as to how to make the most of your experience, then read on. While I don’t want to spoil the experience for anyone, there are a few things I wish I’d known before walking into the doors. And I can safely say it was the best money I ever spent! Photo Credit: nycscout Therefore, I found it hard to validate spending $100+ per ticket when no one would tell me anything about it! But finally, after much back and forth and some encouragement from my friend, we bought our tickets. Anyone who has gone to see it is oddly secretive about the experience. But the price tag always made me hesitate. I had heard about ‘Sleep No More’ from various friends who had gone to see it and just raved about it. Sitting here in the dead of winter, during the pandemic, I have time and time again closed my eyes and “ dreamt I went to Manderley again…” I am dreaming of the time when I can return to New York and see ‘ Sleep No More‘ again. ![]() Methought I heard a voice cry, “Sleep no more! Macbeth does murder sleep” – the innocent sleep, Sleep that knits up the raveled sleave of care, The death of each day’s life, sore labor’s bath, Balm of hurt minds, great nature’s second course, Chief nourisher in life’s feast. Thank you for supporting the Creative Adventurer* *I may be compensated if you purchase through any affiliate links on this site. ![]() ![]() ![]() She raps: “This Christmas I’ma make it count / No more quarantine on the couch / This year hang that mistletoe / I’ma kiss everybody that I know / This year’s different, you can tell / Deck those halls and jingle bells / Put Purell on everything / Turkey, egg nog, candy cane. Megan’s primary contribution is a rapped verse toward’s the end of the track, waxing lyrical on her ambitions to make her 2021 holiday season especially wild. Fallon delivers the track’s lead vocal with far more aplomb than expected from a late-night talk show host, adding colour to Grande’s ethereal singing with his bold, autotune-inflected flair. ‘It Was A… (Masked Christmas)’ takes cues from the Yuletide songs of decades past, with bubbly, ‘80s-esque synths and a sharp, mix-filling beat evocative of early ‘00s pop. The newest coach said she has so much love for the artists on her team-so much, in fact, she has been willing to violate the terms of her contract in order to contact them. The best Roblox music codes are: Ariana Grande God Is a Woman 2071829884. She also had a bottle of cayenne pepper in her bag. In this category you have all sound effects, voices and sound clips to. She said that the pastilles help with singing. ![]() ![]() In a Seventeen interview of ‘What’s in My Purse,’ Grande kept Grether’s Pastilles in her bag. However, it’s likely that she’s not having these candies all the time. R EAD MORE: The Big Read – Megan Thee Stallion: “I’m really working on my dynasty right now” Ariana shared that she's excited to work with the artists on the show and has a lot of love for them. Ariana Grande’s favorite candy is Smarties and Razzles.Jimmy Fallon has recruited Ariana Grande and Megan Thee Stallion for a shimmery pop tune about Christmas in the time of COVID-19. Not since Miley Cyrus joined The Voice in 2016 have viewers and, specifically, social media been so excited for a new Voice coach. Music by Ariana Grande Performing 'Hopelessly Devoted To You' at NBC The Voice season 21 Teaser Arena. ![]() ![]() ![]() Support for third-party APIs: Next.js supports API Routes that can be used to handle user authentication, form submission, database queries, and even custom Slack commands. This tool takes each image you use on your web app and optimizes its size to serves them to the clients Image optimization: Next.js comes with an API to optimize images. Requires less fiddling with build tools: In Next.js you don’t need to worry about extra tools and bundlers as everything is included within its initial configuration.īetter for SEO than React: SSR makes web applications built on Next faster to crawl and to visit, resulting in better search engine rankings. Out-of-the-box SSR: You don’t need extra configuration to create a server-side rendered app as you would with React and CRA. Lower performance compared to Next.js: React applications usually take longer to become interactive than similar web applications built using Next.js. JSX can be off-putting: While JSX extends React’s capabilities, it can be daunting for newer developers who might not be familiar with it. Less SEO-friendly than Next.js: Single-page applications created with React are not good for SEO because it usually takes them longer to load, whereas Next.js was built with SEO in mind. Strong user community: React has 182k stars on Github and a community of thousands of users creating content to help others build projects using the library. With Next.js, you need to learn React and then Next.js.Īllows you to reuse components: Every React app is made of reusable components you can mix and match to build web applications.Ĭomes with pre-packaged scripts: Using tools like Create React App, React.js allows you to kick off projects quickly with minimum configuration. Advantages of ReactĮasier to learn than Next.js: It’s based on JavaScript and has extensive documentation to get you started quickly. ![]() Let’s dive deeper and see the pros and cons of each framework. We’ve seen Next.js and React compared side by side, and you probably have some ideas in mind of which one to choose. Pros and cons to React and Next.js Pros and Cons Smaller community but spotless documentation. Solid documentation and developer community. Requires you to stay updated on new React releases. Supports different types of SSR and incremental static regeneration. React avoids reprocessing every line of code by using pieces of UI called components.Ī typical React component for a shopping list looks like this: Think of Facebook and Instagram, where you scroll to see new posts and content while most page sections remain the same.Ī traditional approach would require the entire website (or app) to reload every time you click on something, which is time-consuming and frustrating for visitors. React is commonly used to develop web apps that require constant data changes on their UIs. Want to learn which one is right for you? What is React?Ĭreated by Facebook in 2011 and then open-sourced in 2013, React is a declarative, efficient, and flexible JavaScript library for building interactive user interfaces that are influenced by XHP, an HTML component library for PHP. In this article, we’ll look at both tools, see how they compare, and discuss when it’s appropriate to use each one. The difference between a framework and a library is that a framework has more features and focuses on more than one aspect of development while also giving you rules and guidelines on writing your code and structuring your files.įor React users already familiar with Create React App, React’s framework, switching to another one is enough to give them PTSD, but with Next.js, the payoff will probably be worth the initial hassle. Next.js, a frontend JavaSript framework that builds upon React’s UI library, aims to reduce JavaScript fatigue by enabling developers to build web applications in a zero-config environment that provides all the tools they need out-of-the-box. Such extensive tooling is daunting to everyone, especially beginners and developers who want a more straightforward approach. React’s UI library is staggeringly robust, but with great power comes great responsibility, and you have to configure Babel, Webpack, ESLint, and a server –and that at the very least. Next.js, while smaller than React has been growing steadily over the years and it’s poised to become the most used JavaScript framework. React is the most popular JavaScript library for frontend developers. But even in the sea of JavaScript frameworks and libraries, React and Next.js stand out against the crowd. ![]() ![]() ![]() These reposted clips have even higher engagement. What’s more, Twitter accounts that post gay porn have aggregated the videos of Taylor and other guys flashing on TikTok. A screenshot of his Instagram DMs shows that users messaged him phrases like “Heyy big dick” and “Duuude, you’re huge.” Plus, the videos are now going viral on other platforms, and Taylor says “predators acting as girls” have since messaged him on Snapchat, asking for his nudes to sell. ![]() ![]() While TikTok has now removed the filter, most of the videos are still up and searchable. Still, “t he thing people should keep in mind is that footage without the filter exists somewhere, which should be enough for people to be cautious,” a post-producer for a video editing company, who asked to remain anonymous, tells me. There’s no evidence this filter-removal rumor is real or even possible. He says he, too, got fully naked for the challenge, but he laughs off the threat of real exposure. Likewise, commenters told Tade Amato, 18, they planned to download his #Invisible video and somehow code out the filter to see him naked. After dancer Mikaila Murphy, 19, posted an #Invisible video where she drops her sweatpants, someone commented, “Who wants a tutorial on how to remove the filter?” Murphy then posted a followup video saying she wore leggings underneath her sweats. One common claim is that the filter is possible to remove, leaving the users exposed. “For example, the law might criminalize the ‘display’ of a man’s penis, but the law won’t be more specific if a translucent outline is a ‘display.’” “ Each state has different statutory definitions of lewd exhibitions,” he explains. Which raises the question: Did anyone here break the law by posting heavily censored underage nudity on TikTok? Eric Goldman, a professor at Santa Clara University specializing in internet law, says it’s largely up to the individual state. One 15-year-old female TikTok user, whose video of her lifting her sweatshirt has 4 million views, insists, “I didn’t really flash the camera. That’s about it,” says Eli Samuel, 18, who completed the challenge. “Everyone keeps a second layer on under, obv. Other users insist their #Invisible videos are more wholesome.
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![]() ![]() ![]() His introduction went as follows – "Of all the heroes in legend and song, there's none as brave as El Kabong". In certain cases, Quick Draw would also assume the identity of the masked vigilante El Kabong (a spoof of Zorro). This aspect was made light of in the 1980s made-for-television film The Good, the Bad, and Huckleberry Hound, which featured Quick Draw.Įl Kabong File:Hb quickdraw photo 01 md.jpg This did not stop the show's producers from depicting him riding into town on a realistic horse, or as seen in the show's opening credits, driving a stagecoach pulled by a whole team of realistic horses. Quick Draw was himself a horse caricature that walked on two legs like a human (as did Baba Looey), and had "hands" that were hooves with thumbs and could hold objects such as guns. In several cases when Quick Draw did not have a dog biscuit to offer, or if he tried to give Snuffles the reward cash for capturing an outlaw, Snuffles would either shake his head and say "Uh-uh" or grunt to himself and mumble "Darn cheapskate!" as well as sometimes throwing the reward money back in Quick Draw's face. His main catchphrases were "Now hold on there!" and "I'll do the 'thin'in' around here and don't you forget it!" Also if he got hurt he would often say "Ooooh that smarts!"Īnother featured character was Snuffles, the bloodhound dog that would point to his mouth and "ah-ah-ah-" when he wanted a biscuit, then hug himself, leap up in the air, and float back down after having eaten one. His character was well-intentioned, but somewhat dim. Quick Draw satirized the westerns that were popular among the American public at the time. In the Brazilian version, however, Quick Draw speaks in a drawling Portuguese which along with his hispanized name (Pepe Legal) would suggest he was either a Texan-American or Mexican cowboy. ![]() In the Spanish American version, Quick Draw (Tiro Loco McGraw) speaks in a very English-influenced accent, and Baba Looey (Pepe Trueno, or Pepe Luis in some episodes) speaks in a very Mexican accent, so it was clear that Quick Draw was the alien, and there was no need to adapt any feature of the story. Quick Draw was often accompanied by his deputy, a Mexican burro called Baba Looey (also voiced by Daws Butler), who spoke English with a Mexican accent and called his partner "Queeks Draw". Quick Draw was usually depicted as a sheriff in a series of short films set in the Old West. The cartoon was nominated for an Emmy Award in 1960. All 45 of his cartoons that originally aired between 19 were written by Michael Maltese, known best for his work at the Warner Bros. He's a white horse, wearing a red cowboy hat and light blue bandana. Quick Draw McGraw is a fictional anthropomorphic horse and the protagonist and title character of The Quick Draw McGraw Show. Maurice LaMarche ( Harvey Birdman: Attorney At Law) Script error: No such module "Formatted appearance". For the graphics software, see QuickDraw. For the professional wrestler, see Rick McGraw. ![]() ![]() ![]() With these three compositions, DataStax represents the stored information in graphs and allows the users to enjoy a detailed view of the dataset. ![]() The overall representation of the relation between vertex and edge is called property. For example, while you are reading a book, reading is an edge. The mutual relationship between the vertices that represent the action is an edge. You can think of a person, animal, object, or anything else that strikes your mind is a vertex. Composition Of DataStax DataBaseĪ single unit or an entity that can be represented. Let’s consider the composition of the DataStax database to understand it better. The components replicate the data when asked by the user, which is then reflected by the DataStax in analytic formation. Similarly, Cassandra uses DataStax Graph for graphical representations. Now, as we mentioned above that complex data requires updated databases. The layout of the CQL table is defined by the schema. This is where you will find a tabular representation of the data stored in Cassandra. They are present in each Cassandra table. The component contains rows and columns to construct a tabular formation. SSTable, which stands for sorted string table, is a data file receiving memtables from Cassandra. The component ensures the durability of data by providing a backup whenever required. Commit LogĮvery shred of data entering the Apache Cassandra framework is primarily stored in the Commit Log. The layering of the data enhances privacy and security. ClusterĪ luster is a framework where all the data centers can be found. This allows the user to retrieve the required data swiftly. Cassandra stores the data and segregates them according to the information by creating different data centers. Data Centerĭata Center is the combination of likewise nodes placed together. There can be more than one node in the framework according to the scale of data. The component is the actual warehouse of the data. Now, the question arises whether Apache Cassandra can be used as a Graph Database or not? In order to find the answer, we should understand the working of Cassandra with the view of its components. Now, several frameworks provide a swift and easy-to-use database, but Apache Cassandra is definitely at the pinnacle of that list. This is where Graph Database arrives at the scene. Moreover, the complex data requires updated and designated solutions to create a database. When the companies start to gain momentum in their business, data takes a swift turn towards complexity. Every organization, regardless of scale, size, and sector, requires a database to collect, retrieve, and reflect information. ![]() |